És a dir, que les persones volen creure certes idees, però també volen jugar papers com si el món sencer fos un teatre. En aquest sentit l’apecte metateatral de l’obra – el teatre dins el teatre – coincideix amb la crítica social. Cadascú està lluitant per tenir una feina millor i ho fa, gairebé sacrificant la seva pròpia identitat.
NB: La resposta anterior és de John London que, per raons tècnics, no ha pogut entrar en el fòrum.
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